1992. Chapitre XVI-Les discours du fou. In: Le Discours du fou au Moyen Âge XIIe-XIIIe siècles. Paris cedex 14: Presses Universitaires de France. Perspectives littéraires, p. 341-369. …
These essays examine the central role played by Ovid in medieval amatory literature. In so doing, they address the theoretical problems of the entrenched" aesthetics of reception" long …
The Burlesque Poetry of Quilhem IX 281 play of sen and foudatz. In these poems the sen lies in a theme which is presented in a nominally serious way and the foudatz in a burlesque …
Dans l'article il est question de la langue des Registres du Consistoire de Genève et donc d'un document en langue française remontant à l'époque de Calvin (milieu du 16 siècle). …
To quantify the effect of air gap on the dielectric constant measurement of low-loss materials, this letter presents the first quantitative study of the effect of five different shapes on the …
Con questa edizione del trovatore Uc Brunenc, originario di Rodez e attivo verso la fine del XII secolo, viene proposto un nuovo testo critico delle sei canzoni che di lui ci sono rimaste: …
… covinen,” for example, the persona’s claiming that he is writing a lyric which offers “foudaz” rather than “sen”, his using bawdily ambiguous diction, and his playing with the meanings of …
The first known troubadour, Guilhem IX of Aquitaine, VII Count of Poitou, was a versatile man who fought against the Moors in Spain, lost an army on his way to the First Crusade, and for …
www.torrossa.com/gs/resourceProxyL’i nteresse intorno al canzoniere provenzale T (Paris, Bibliothèque Nationale, f. fr. 15211), 1 si precisa, fin da Jehan de Nostredame e in modo ricorrente, nel problema della …