A Cinematic View of Kantara: An Indigenous Tale
… The actor, director, and writer of Kantara –Rishab Shetty strongly believes in his theory that cinema will be more universal if its content is regional and trust is reposed in regionalism (…
… The actor, director, and writer of Kantara –Rishab Shetty strongly believes in his theory that cinema will be more universal if its content is regional and trust is reposed in regionalism (…
… The first part examines the film industries from a regional perspective, … Cinema Studies, this handbook is an essential reference work for students and researchers of Asian cinema, film …
… From the concept of decency in Pakistan to homosexuality in Sri Lanka, to the influence of national and film heroes on perceptions of masculinity in India, this book covers a wide range …
… in “Arabic cinema” (usually “Middle Eastern"),2 and, recently, a subset of Mediterranean women's cinema.³ … how this regional cinema can constitute a "cinema of transvergence," that is, a …
… Main aim of this study was to explore the impact of Indian TV dramas and movies on the Pakistani … Findings of this study show that Indian dramas and movies are directly influencing the …
This study investigates the Impact of Indian Dramas on Language in Pakistan through survey methodology. A questionnaire was used as a tool of data collection. In this research the …
… Despite little contact with the English people, the Pakistani community in Dashtee-Tanhaii suffers from occasional physical attacks, white drunkards who roam the streets after the pubs …
… When he finally mutes his constant firing by means of a dash (see also Rebellion: 108),92 … , again muting the burst of fire by means of a dash. Stylistically, the taking over of affect is …
… are perhaps the most noteworthy in this regard for moving Palestinian cinema away from … in the films, but from his position of invisibility he continues to watch. As spectators of the films, …
… by the dash and spirit with which the celebrants perform the dangerous and thrilling … Other is exemplified in the 1913 Eclair film The Oasis of El - Kantara , which opens with long shots of …